A. B. Jackson As I See Ghent A Visual Essay

As I See Ghent by A. B. Jackson in hardcover published in 1978 is truly a rare find. An African American painter, sculpter, photographer and educator during the 1960's and 1970's who became influencial during his lifetime and beyond. This limited edition hardcover book is signed by the author and artist as #38 of 500 with the sentiment "Enjoy" just before his signature.  Although the paperback version is also a rare book, it can be found for around $2,000 on the internet.  The hardcover limited edition is much more difficult to find with a limited run of only 500.  This copy is signed and numbered. I have not been able to find another of the hardcover version, in spite of exhaustive research.  This book is in good condition as can be seen in the photos, with the dust cover having a couple of minor tears and a wrinkle or two.  The pages of the book are in very good condition with some wear on the binding from age.  The front cover appears to be "gilded" and in very good condition.

The following information on the artist and his work was taken from the Old Dominion University website: 

A. B. Jackson or Alex Brooks Jackson (1925-1981)  Alexander Brooks “A.B.” Jackson began teaching in the Art department at Old Dominion University in 1967 as the school's first black faculty member. The contents of the collection of his works at Old Dominion University  include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.

Alexander Brooks “A.B.” Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson’s father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale’s art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.

Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school’s first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.

As an artist, Jackson’s work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot’s sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.

In 1978, Jackson published his book, “As I See Ghent: A Visual Essay”, depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson’s series of paintings, entitled “The Porch People”, in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson’s death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled “Wow, Look at That,” one of his trademark catch phrases, to commemorate him.