Joseph Hirsch S/N Lithograph, The Crucification
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Artist: Joseph Hirsch
Title: The Crucification
Year: circa 1979
Medium: Lithograph [Signed and Numbered in Pencil]
Edition: 100
Size: 24.5" x 27"
Joseph Hirsch was a painter, muralist, illustrator, and printmaker who was born and educated in Philadelphia. He attended the School of Industrial Art between 1928 and 1931, and in 1932, went to New York to study with George Lucas.
He completed several murals in Philadelphia including "Football," "Integration," "Beginnings of Early Unionism," and "Adoption." As a pictorial war correspondent during World War II, Hirsch made about seventy-five paintings and drawings between 1943 and 1944 in the South Pacific, Africa, and Italy.
Hirsch once said that he wanted his work to reveal his beliefs but never turned to propaganda, as so many artists of his time. He did, however portray people as heroes in a deeply humanistic, positive manner, using an almost caricature-like exaggeration, especially in early canvasses such as "Two Men."
With classic techniques, he explored prosaic subject matter ranging in theme from washing windows to leading invocations, sometimes with mocking overtones. He has also represented various generalized kinds of human action through the use of monumental human forms.
Title: The Crucification
Year: circa 1979
Medium: Lithograph [Signed and Numbered in Pencil]
Edition: 100
Size: 24.5" x 27"
Joseph Hirsch was a painter, muralist, illustrator, and printmaker who was born and educated in Philadelphia. He attended the School of Industrial Art between 1928 and 1931, and in 1932, went to New York to study with George Lucas.
He completed several murals in Philadelphia including "Football," "Integration," "Beginnings of Early Unionism," and "Adoption." As a pictorial war correspondent during World War II, Hirsch made about seventy-five paintings and drawings between 1943 and 1944 in the South Pacific, Africa, and Italy.
Hirsch once said that he wanted his work to reveal his beliefs but never turned to propaganda, as so many artists of his time. He did, however portray people as heroes in a deeply humanistic, positive manner, using an almost caricature-like exaggeration, especially in early canvasses such as "Two Men."
With classic techniques, he explored prosaic subject matter ranging in theme from washing windows to leading invocations, sometimes with mocking overtones. He has also represented various generalized kinds of human action through the use of monumental human forms.
Rogallery
Long Island, New York
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