Description:
Item #: 8-316-0
Vintage Blue Delft Mantel Mantle Clock Sailboat Kienzle
Comment:
This beautiful and rare three-piece Blue Delft Garniture Set is the piece for which you've been searching!
Mark: Kienzle
KIENZLE
Johannes Schlenker ran both a family farm and a small clockmaking business in Schwenningen, Germany, in the early19th century. His sons, Johannes, Erhard and Christian followed in his footsteps. Christian's son, Carl Johannes, took on Jacob Kienzle, his son-in-law, as a partner in 1883, officially changing the name of the company to Schlenker & Kienzle. Jacob Kienzle (1859 - 1935) had learned the clock business under the training of his uncle, Friedrich Mauthe. Annual production increased from 65,000 clocks in 1888 to 162,000 clocks in 1892. By 1898, Schlenker left the firm and Kienzle became the sole proprietor of Kienzle Uhrenfabrik (Kienzle Clock Company), which shipped 470,000 timepieces that year and employed 400 skilled workers.
By 1908, Kienzle had celebrated the 25th anniversary of the industrial production of timepieces and his workforce had grown to 1,700 employees and annual production of 2.35 million timepieces and movements. Kienzle took over the Thomas Ernst Haller watch factory in 1929, along with Deutsche Uhrenfabrik in Leipzig in 1931. When Kienzle signed a cooperative agreement with Seiko in 1962, the German manufacturer was supplying the world's markets with some 7 million timepieces, including 12% of all the timepieces made in West Germany. Kienzle declared bankruptcy in 1996 and was acquired by Highway Holdings in Hong Kong. Kienzle returned to German ownership in 2005 and the trademark is still in use today.
Subject: Boat
Subject Keywords: Sail
Object: Garniture Mantle Mantel Clock
MANTEL CLOCK / GARNITURE MANTEL CLOCK
Mantel clocks are relatively small, moveable clocks traditionally placed on a shelf, or mantel, above the fireplace. The form, first developed in France in the 1750s, can be distinguished from earlier clocks of similar size due to a lack of carrying handles. A Garniture Mantel clock is a three-piece set, which features a clock in the middle with two garnitures, or decorative sidepieces. Mantel clocks are often highly ornate, decorative works.
Origin: Holland
Dimensions (inches:)
Clock 11.50H x 5.75W x 3.75D ;
Garniture (Qty 2) 10.50H x 5.50W x 4.25D
Date: 1930
Condition:
GOOD
In overall good condition. Antique and vintage items by their very nature show normal wear to finish and miscellaneous scratches, nicks, and dings due to age and use. As we define 'good condition' relative to the stated age of the piece, we would expect to see 'character marks' consistent with that age and could include nicks or dings to a wooden or metal object, wear to a painted surface, speckling on a mirror, crazing or manufacturing glaze skips in ceramic finish, wear to a label, and some original decorative trim may be missing. If ceramic/porcelain restoration has been done, it is of museum-quality so that it is hardly discernable and would be mentioned in the listing. 'Good condition' would not include chips or cracks in any glass or ceramic item.
Item Specifics:
Small chip on back corner of one garniture.
Clock is in running condition.
Strike (Hour) Function: Not applicable.
Chime (Qtr or Half Hour or Music) Function: Not applicable.
Key: Not applicable.
*
Material:
CERAMIC
The word ceramics originates from the ancient Greek word keramikos, meaning potter's clay. The practice of making ceramics has been in existence for nearly 30,000 years. Clay, the primary ingredient for any ceramic, is primarily made of aluminum silicate, which is a malleable soil from crumbling rocks. Ceramics can be grouped according to the type of clay used, the temperature at which the clay is fired, and the duration of the firing.
Style:
DELFTWARE
The European craze for blue and white Chinese export porcelain in the 17th century lead to the development of the Dutch East India Company, which imported millions of pieces of Chinese porcelain as well as other Chinese wares. In 1620, the death of Wan-Li (Ming Dynasty) interrupted the flow of goods to Europe. Dutch potters from the city of Delft quickly filled the gap in the market with their own production of blue and white ceramics that duplicated the look of Chinese export porcelain by using the tin-glazing technique learned from the Italians. The Delft potters were the first northerners to imitate the tin-glazed earthenware pottery of Italian majolica, or faience. Production of Delftware proliferated and by 1700 there were more than 30 factories in production of high-quality pieces in the city of Delft.
Delftware drew on Chinese designs for inspiration, but also developed European patterns. Decorative plates were made in abundance and featured native Dutch scenes with windmills and fishing boats, hunting scenes, landscapes, seascapes, and scenes of people in daily life. When Chinese exports re-entered the European market by 1685, they came back in color, especially in greens and pinks. This sparked the production of Polychrome Delft, which refers to the use of colors other than blue and white. Besides the popular cobalt blue on a white background, Delft potters had a full color range that consisted of yellow, orange, brown, green, purple, dark red, and black.
Despite the huge success of Delftware manufacturers, the market for Delftware eroded through the 18th century until eventually only one factory in Delft remained in existence. Joost Thooft bought the last remaining Delftware factory, De Porceleyne Fles, in 1876. Since that time, over one hundred potteries have come back into existence producing what is known as modern Delftware, which no longer uses the tin glazing method of majolica.
In the period from 1876 to 1940, many high-quality, beautiful pieces of Delftware were produced. The transfer printing process was also brought back at this time. After World War II, tourism began to play a larger role in the Dutch economy. More Delftware companies opened in the 1950s to 1970s, specializing in pieces made for the tourist trade. Delftware has been produced in Holland, Belgium, Germany, England, Japan, and the US, and is still in production today.
Shipping:
This item will be shipped within the Contiguous 48 United States via a Ground shipping service (UPS or FedEx), approximate 1-6 business day shipping time. EuroLux Antiques may ship some packages via USPS Parcel Post, approximately 2-9 business day delivery time, at its sole discretion. All shipments include insurance.
Additional Information:
Because EuroLuxAntiques maintains its own website and lists on other online sites, while also operating a physical store location in Newberry, South Carolina, we reserve the right to end any listing early if it has not been purchased outright or no bids have been placed upon the item. On occasion, a piece listed on a website may no longer be available. We do our best to maintain the accuracy of our inventory records but we often have customers interested in the same item at the same time. In those cases, we defer to the customer who placed the earlier order. We apologize in advance by any inconvenience this may cause. Because of this, we encourage all of our buyers to purchase the item as quickly as possible so that your treasured find doesn't sell elsewhere to someone else. Happy browsing and thanks! Aimee & Greg Talbot at EuroLuxAntiques.
Please note that EuroLux Antiques goes to great lengths to include information about the functioning of any clock we list under the 'Condition' section of
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