Portrait of Anna Margaretta Llarpent 1758-1830

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Description: Anna Margaretta Llarpent was the daughter of Sir James Porter, British Ambassador in Turkey 1745-1762. She married the widower John Llarpent, who was seventeen years her senior. He had been a successful civil servant, working in the Foreign Office, and in 1778 he had been appointed Examiner of Plays in the Office of the Lord Chamberlain. He held this position throughout their marriage. Anna Margaretta herself became an important figure and her diaries have been published as A Womans View of Drama 1790-1830 (the originals are in the Huntington Library). The Examiner of Plays was an extremely influential figure in the development of drama and was much more powerful than modern censors. All plays required licensing before performance and the Examiner had the sole power to award them. Both husband and wife collaborated in the work with the result, according to L W Conolly’s study of John Llarpent in 1976, that Anna Margaretta Llarpent became 'practically a Deputy Examiner'. She had sole responsibility for the censorship of Italian opera since she was fluent in the language (as well as French) while her husband was not. She also became a champion of Mrs Inchbald (1753-1821), who went on to write some 20 plays for the stage. The following excerpt from Llarpent’s diary shows admiration for Lover’s Vows, Inchbald’s adaptation from Kotzebue’s play that later featured in Jane Austen’s Mansfield Park (enacted by the Bertram family):In her diaries, Anna Llarpent recorded her reading, criticism, and verdicts, expressing her views on morality and propriety. Her diaries also included criticism of contemporary female dramatists and their male counterparts. They provide 30 years of sustained dramatic criticism, shedding light on the development of British drama, the role of censorship, the suppression of political satire, and the changing values of society. The diaries are a gold mine for social historians interested in both women's studies and gender studies, as well as for theatre historians. T is much on taste, consumption and morality, and this is an important record of family life in the Georgian era. T are many reviews of contemporary plays and operas. The diary also records the books that she read and her views on them, as well as offering intriguing (and lengthy) lists such as: "Books I read in 1780: those of study included" and "Books Useful to buy" (1793). "Friday 11 January 1799 Went to the play. Lover’s Vows and Rosina. The former play from the German. Highly interesting, great ingenuity in the management of that Interest. The Characters err - but remorse - & Sentiments amiable in themselves - Soften our disgust, we pity, we pardon. - I cannot see the least Immorality in this Drama. On the Contrary the cause of truth & Virtue seem served by it. The Character of Amelia is Captivating & excellently kept up. Rosina I have often seen & always been pleased - It is Elegant & the Music was particularly pleasing by the acquisition of Mrs Atkins a very sweet Singer." She is less kind in her observations on the Prince of Wales at a royal performance of a comedy by John O’Keefe: "Monday 20 April 1795 Went to the Play ... The Royal Family - The Prince & Princess of Wales were t ... The Sight was a very fine one as to decoration, fullness of the house &c. The reflective Scene occupied the Speculative mind. The Princess is not tall nor large. Fair but the fairness of red hair, not creamy white, pinkish. Her figure to me was made up, or rather I should say set off by a dress ... The Prince - looks bloated, sodden, in short, were he my footman with such a look - I should say he was drinking himself out of the world ... The reception they had was very flattering - it Seemed Sincere ... The play Life’s Vagaries - wou’d have disgraced a puppet show for absurdity." Other actors and authors commented upon are Eliza Atkins, Isaac Bickerstaffe, George Colman the Elder (& the Younger), Hannah Cowley, Mrs Crespigny, David Garrick, Mrs Jordan, Charles & John Philp Kemble, George Lillo, Frederick Reynolds, R B Sheridan, Sarah Siddons and Mariana Starke. In addition to her unsung work as a censor and critic, Llarpent brought up two children of her own and one stepson. She was a pious, serious-minded Anglican, who was active in good works from soup kitchens to Sunday schools. These activities are also recorded in the diaries together with notes on gaming houses, elections, a visit to the Foundling Hospital, the sight of a rhinoceros, Sir Joseph Banks’ aboriginal companion, Botany Bay, the trial of Warren Hastings, weddings, the price of bread, automatons and the heroism of Nelson. The diaries are well laid-out and easy to read and provide an invaluable guide to life, literature and leisure from 1773 to 1830.

Status: For Sale	Reference#: 2962
Condition: Good	Year: 18th Century
Country: UK	Maker: Sir Martin Archer Shee PRA
Height: 30 in. (76.20 cm)
Width: 25 in. (63.50 cm)
Title: Portrait of Anna Margaretta Llarpent 1758-1830	Style: Traditional
Materials: Oil on Canvas	Type: Oil on Canvas

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