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FARMER, ART BENNY GOLSON LP SIGNED AUTOGRAPH ANOTHER GIT TOGETHER JAZZTET JAZZ

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Dealer: Guaranteed Autographs
Contact: Al Radwill - Email Dealer
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Price: $149.99 USD  - Currency Converter

Shipping inside United States: Quoted at time of purchase
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Description: THIS IS AN AUTHENTICALLY AUTOGRAPHED LP BY ART FARMER AND BENNY GOLSON.. ANOTHER GIT TOGETHER(MERCURY MG 20737)ART FARMER-BENNY GOLSON JAZZTET. COVER IS SIGNED BY ART FARMER AND BENNY GOLSON. TRACKS:SPACE STATION, DOMINO, ANOTHER GIT TOGETHER, ALONG CAME BETTY, THIS NEARLY WAS MINE, REGGIE. CONDITION OF THE VINYL,COVER, AND AUTOGRAPHS IS VERY GOOD. Arthur Stewart (Art) Farmer (August 21, 1928 in Council Bluffs, Iowa - October 4, 1999), was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet/flugelhorn combination designed for him by David Monette. The son of a steelworker, Farmer began working as a musician from the mid-1940s onwards. Based in Los Angeles, he played in the bands of Benny Carter and Jay McShann among others. He joined Lionel Hampton's orchestra around 1953, fellow trumpeters Clifford Brown and Quincy Jones were also with Hampton at the time), and having relocated to New York, later worked with Gigi Gryce, Horace Silver and Gerry Mulligan among others. From the middle of the decade he featured in recordings by leading arrangers of the day, including George Russell, Jones and Oliver Nelson. He also formed "The Jazztet" with the composer and tenor saxophonist Benny Golson; both men had independently come to the decision that the other should be a member of their group. "The Jazztet" did not gain sufficient club engagements to last beyond 1962, but it did assist the careers of pianist McCoy Tyner and trombonist Grachan Moncur III, and the group recorded several albums for Argo and Mercury Records. Farmer and Golson revived "The Jazztet" in the 1980s for a number of engagements, with the original trombonist Curtis Fuller returning to the group. In the early 1960s Farmer established a trio with guitarist Jim Hall and bassist Steve Swallow. He then moved to Europe, ultimately based in Vienna, where he performed with The Kenny Clarke-Francy Boland Big Band. Farmer also recorded extensively as a leader throughout his later career. His identical twin brother, Addison Farmer was a bassist. British trumpeter Humphrey Lyttleton tells the following story: once, when an interviewer asked the brothers how they told each other apart, Art laconically replied: In the morning, I pick up the bass and if I can't play it, I know I'm Art. Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. While in high school in Philadelphia, Pennsylvania Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University Golson joined Bull Moose Jackson's rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson's pianist at the time. From 1953 to 1959 Golson played with Dameron's band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers. Golson was working with the Lionel Hampton band at the Apollo Theater in Harlem in 1956 when he learned that Clifford Brown, a noted and well-liked jazz trumpeter who had done a stint with him in Hampton's band, had died in a car accident. Golson was so moved by the event that he composed the threnody "I Remember Clifford", as a tribute to a fellow musician and friend. Golson has composed several other jazz standards such as "Stable Mates", "Killer Joe", "Whisper Not", "Along Came Betty" or "Are You Real?". From 1959 to 1962 Golson co-led the Jazztet with Art Farmer. Golson then left jazz to concentrate on studio and orchestral work for 12 years. During this time he composed music for such television shows as Ironside, Room 222, M*A*S*H, and The Six Million Dollar Man. During the mid-1970s Golson returned to jazz playing and recording. In 1983 he re-organized the Jazztet. In 1995 Golson received the NEA Jazz Masters Award of the National Endowment for the Arts. Golson made a cameo appearance in the 2004 movie, The Terminal, related to his appearance in the A Great Day in Harlem photo. As of 2007, he tours regularly. In October 2007 Golson received the Mellon Living Legend Legacy Award presented by the Mid Atlantic Arts Foundation at a ceremony at the Kennedy Center. Additionally, during the same month, he won the University of Pittsburgh International Academy of Jazz Outstanding Lifetime Achievement Award at the university's 37th Annual Jazz Concert in the Carnegie Music Hall.
Status: For Sale Reference#: faartbegolps
Condition: See Description Year: See Description


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