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Description:
Painted Desert Jon Daly Fossil Beds Oregon. Studied with Hans Hoffman and shared his studio, N.Y. 1960's. One of a Series. A progression of instinctual artistic expressionism. 61" X 48" approx. From the Estate of Erle Loran with Estate Stamp.
Credit "AskArt" biographical information.
Erle Loran was born in 1905 in Minneapolis, Minnesota on October 3, 1905. After graduating from the University of Minnesota, Loran studied at the Minneapolis School of Art under direction of Cameron Booth. His talent was recognized early when in 1926, he won the Paris Prize, which provided him the benefit of a traveling scholarship to Europe where he lived in the studio of Paul Cézanne. This exposure provided much influence to Loran's life, where he saw the works of Picasso and other European modernists.
But, it was Cézanne's work that motivated him. His fascination with Cézanne led him on a three-year odyssey through Cézanne country where Loran painted and photographed the countryside around Aix en Provence. It would be this experience that formed the foundation for Loran's 1943 book, "Cezannes' Composition". After returning from Europe, he exhibited extensively. In 1936, he moved to California where be began his long teaching career in the art department of the University of California, Berkeley. It would also be during this period that Loran would associate himself with modernist Hans Hoffman. Loran served as the department's chair in the early 1950s, and was awarded a University Citation upon retirement in 1973.
His early paintings include lyrical abstractions in primary colors; however, his style has constantly changed with the times. Watercolor was Loran's medium of choice because it dried fast and was lighter to transport to his often-remote plein air locations, such as the ghost towns of California and Nevada. His landscapes, often to include a building or structure, were clean, fresh, and spontaneous. A sample of his works, 'Refined Oil Dock', 1941, is a delightful period piece showing an East Bay refinery with it's brick buildings and shacks of an oil company silhouetted against the Golden Gate Bridge.
In the 1940s, as the war in the Pacific intensified along with domestic tensions, Loran's work transitioned from plein-air painting to studio work. During this period, landscape painters were occasionally seen as suspicious figures and sometimes mistaken for spies. Loran had such an experience when an armed soldier detained him. Shortly thereafter he decided to focus his painting on abstraction.
In the late 1960s, his work became a fusing of Op, Pop, and Hard Edge. From this he moved to figurative painting and later to geometric designs and symbols.
In 1960, while in New York City, Loran had further study with Hans Hoffmann who brought European modernist philosophy and techniques to the United States.
Among Loran's many exhibitions were in 1924 at the Minnesota State Fair; the Museum of Modern Art in New York City, 1933; the Rockefeller Center, 1935; Oakland Art Gallery, 1936-1946; the San Francisco Art Museum annuals from 1936; the Golden Gate International Exposition of 1939; California Palace of the Legion of Honor, 1945; California Watercolor Society, 1947, among many others. His works can be seen at the San Francisco Museum of Modern Art, the Denver Museum, the University of Minnesota, the Santa Barbara Museum, and the International Business Machines (IBM) Corporation.
Afflicted with a visual impairment, Erle Loran continued to paint until about a year before his death. He died in Berkeley, California on May 13, 1999 at the age of 93.
Information on the biography above is based on writings from the book, "Artists in California, 1786-1940, II", by Edan Milton Hughes, and "The Plein Air Scene", by Sarah Beserra.
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Post War California artist, Erle Loran studied at the University of Minnesota; Minneapolis School of Art; earned a traveling scholarship to study in Europe; and taught at the University of California, Berkeley, 1936-1970's.
Solo Exhibitions: San Francisco Museum of Art, 1936, 1939, 1944, 1952; Santa Barbara Museum of Art, 1947; Pasadena Museum of Art, 1947; de Young Museum, 1949, 1954.
Selected Group Exhibitions: 61st Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1941; 62nd Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1942; 65th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1945; First Spring Annual Exhibition, California Palace of The Legion of Honor 1946; 67th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1948; Third Annual Exhibition of Painting, California Palace of The Legion of Honor 1949; 69th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1950; 70th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1951; Fourth Annual Exhibition of Contemporary Painting, California Palace of The Legion of Honor 1951; Fifth Annual Exhibition of Contemporary Painting, California Palace of The Legion of Honor 1952; 72nd Annual Painting and Sculpture Exhibition of the San Francisco Art Association at
the San Francisco Museum of Art, 1953; 73rd Annual Painting and Sculpture
Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1954; PACIFIC COAST ART, IIIrd Biennial of Sao Paulo, Brazil, 1955; Contemporary American Painters, 1950-1955, Stanford Art Gallery 1956; 75th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1956; 76th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1957; 77th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1958; 78th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1959; 79th
Annual Painting Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1960; Eightieth Annual Painting Exhibition of the San Francisco Art Institute (Formerly the San Francisco Art Association) at the San Francisco Museum of Art, 1961; The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63, 64, 66; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960, 61, 62, 63, 64.
Source:
David J Carlson, Carlson Gallery, California. Carlson's specialty is Post-World War II California artists, and he is preparing a catalogue for a 2004 traveling exhibition of these artists to several California museums.
| Status: For Sale |
Reference#: 0156 |
| Condition:
Perfect |
Year:
1987
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| Maker:
Erle Loran |
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| Height:
48 in. (121.92 cm) |
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Width: 61 in. (154.94 cm)
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| Title:
Erle Loran Painted Desert Fossil Beds Oregon |
Style:
Modern Abstract |
| Materials:
Oil on Canvas |
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