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Description:
This is a beautiful wildlife print, made from an exquisite work of art done by Ray Harm. Since Ray is such a wildlife enthusiast, it is no wonder that his art is so detailed and lifelike. It truly is amazing and a talent that he is happy to share. The colors are subtle and very realistic, very befitting of the natural state and environment in which these birds are found. The bright leaves on the branches only enhance an already incredible piece. Ray Harm’s signature is included in the lower right hand corner of the piece, and the title “Cedar Waxing: Bombycilla Cedrorum” is proudly displayed beneath these majestic birds. In addition, the plate number “XXIV” can be seen in the upper left hand corner. It comes encased in a very attractive rustic frame, comprised of a rich brown wood that perfectly harmonizes with the rest of the piece. This work of art is double matted in a deep green bottom mat that complements the other green tones in the print, as well as a top golden tan mat that also reflects the colors in the piece. This fine top mat has also been expertly cut with trapezoids in the four corners to lend an even further wilderness tone to the work as the green bottom mat peeks out from beneath. The size of this picture with the frame is 21.5” x 25.5” and 13.75” x 17.75” without the frame. Considering the high quality of the work, this price is an exceptional one.
Ray Harm is the co-founder of the modern limited edition print industry in America and has been a nationally known wildlife artist for over 30 years. This has been documented by the Filson Historical Society’s quarterly journal 4/98 Vol.72 No.2.
His parents were both concert violinists in the 1920s, so music has been a significant influence in his life, and he learned several instruments from an early age. Born in the mid twenties in West Virginia (also his father's native state), Ray's childhood was imbued with his father’s later work and study as an herbalist and naturalist, digging and selling herbs on the pharmaceutical market. The stock market crash in '29 had forced his father off of the concert tour and back to West Virginia to an earlier interest in herbal medicine. The young man was strongly tutored in the ways of nature by his woodsman/naturalist father.
In his mid teens, he went west to work as a cowboy on cattle ranches and rode the rodeo circuit in the bull and bronco riding events. When he won enough to purchase a roping horse and trailer, he competed as a calf roper. He even satisfied a dream that many youngsters have by working with the Ringling Brothers and Barnum and Baily circus, then, just a tent show, training horses. Always he sought the outdoor life and work with animals.
Three years of Navy service made him eligible for the GI Bill of World War II and later, after working on the ranches, he chose Art School in 1948. As he puts it "at least some kind of schooling would make my mom proud." Proud indeed, with only six grades of public school, today he holds Honorary Doctorate degrees from five colleges and universities, where he lectures regularly. Making a living as a wildlife artist in the early 1950s was not easy! This was when limited edition reproduction prints, as we know them today, did not yet exist and selling original paintings, one by one, was a very difficult way to make a living, especially when just out of art school and unrecognized. It was a struggle for some nine years, as he drew heavily from his earlier "roustabout" experiences to support his family by training horses, digging ditches on construction jobs, and driving trucks while trying to establish himself as an artist.
By 1961 Ray had almost given up when he met Wood Hannah, a Louisville businessman and art collector. Hannah became personally interested and together, in 1962, they founded a publishing company that was the beginning of the Limited Edition print industry; which opened a market for artists everywhere. This market today supports thousands of artists through the medium of Limited Edition prints, and Ray is proud of this. The public acceptance of Ray Harm wildlife prints in an ensuing collection, introduced in Kentucky, spread rapidly from coast to coast. He was in demand as a lecturer, wrote a popular weekly nature column, and authored two illustrated books, but his paintings of wildlife remained primary. His pictures are appreciated for being from living animals and wildflowers, sketched on location, not copied photographs (which is so commonly done today). All this coupled with his extensive knowledge of the subjects he paints, he feels, is more the essence of fine art as opposed to commercial illustration.
Ray has always been physically close to wildlife, since in his lifetime he has always lived rural. He still lives with his wife Cathy on their H Rafter Ranch, very rural with Antelope, Bear, Cougar, Bighorn Sheep, Javelina and a profusion of the bird life of southern Arizona at his beck and call. His studio is on the ranch and is always open to interested people by appointment where he is happy to show original works, discuss painting, commissions and of course chat about art, wildlife, horses and cattle if the subject suits.
| Status: For Sale |
Reference#: RH_P_2 |
| Condition:
Good |
Year:
19--
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| Height:
25.5 in. (64.77 cm) |
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Width: 21.5 in. (54.61 cm)
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